SPASM
SPASM gives Quebec a homegrown genre festival identity that feels unmistakably local: short-form friendly, funny when it wants to be, loyal to horror without becoming pompous about it, and deeply tied to Montreal's own scene culture. It is smaller than Fantasia International Film Festival, but that is the wrong comparison if taken competitively. SPASM works because it serves a different function inside Quebec's genre ecology.
That function is easy to see through titles like Turbo Kid, Les Affamés, Red Rooms, and Thanatomorphose, which sketch the wider field of Quebec fantastic cinema SPASM helps keep visible. The festival has been especially useful for local shorts, emerging filmmakers, and the rougher or funnier edges of the scene.
SPASM matters because not every genre culture needs only one flagship institution. Some need a second room where the local accent gets louder.
