Synopsis
A semi-biographical fiction inspired by his father’s work at one of Kodak’s first processing labs, Wilson’s speculative gloss on the evolution of photochemical science entwines multiple perspectives and personas. Co-written by James N. Kienitz Wilkins, Kodak imagines a dialogue between a blind, mentally unstable former film technician and George Eastman himself, recordings of whom play out over a procession of photographs, home video footage, vintage Kodak ads, and animations.
Images
Parcours en festivals
- Krakow Film Festival 2020 generic
- Chicago Underground Film Festival 2019 generic
- International Film Festival Rotterdam 2019 generic
- New York Film Festival 2018 generic
