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Critiques

The Flesh Has the Last Word
Intinction Objection is the austere, black-and-white sibling of Nora Geist’s “Saintly Cadavers”. Transplanting its collision of sexuality and sacred imagery into a convent, Nora Geist turns the male body into the territory upon which holiness, desire and institutional control fight it out. Monochrome is crucial. It strips away the decadent sensuality of Saintly Cadavers, giving…
septembre 12, 2026